New Approaches to Old Art: The launch of NGA Online Editions' Dutch Paintings of the Seventeenth Century
Jennifer E. Henel
National Gallery of Art
Notes
1 This
text is largely based on the essay "Dutch Paintings of the Seventeenth Century:
The National Gallery of Art's First Online Scholarly Catalogue," in Technology
and Digital Initiatives: Innovative Approaches for Museums, ed. Juliee Decker (Lanham, 2015). The site for the Getty's
Online Scholarly Catalogue (or "OSCI") can be found here: http://www.getty.edu/foundation/initiatives/current/osci/index.html.
I would like to thank all of my OSCI colleagues for their collaboration on this
important project, most especially Arthur K. Wheelock, Jr. and Judy Metro for
their excellent insights and editorial suggestions.
2 Dutch
Paintings of the Seventeenth Century can be accessed at this site: http://www.nga.gov/content/ngaweb/research/online-editions/17th-century-dutch-paintings.html
3 See
National Gallery of Art. Preliminary Catalogue of Paintings and Sculpture.
Washington, 1941.
4 See
Christopher White, "Review, Dutch Paintings of the Seventeenth Century: The
collections of the National Gallery of Art Systematic Catalogue by Arthur
K. Wheelock," The Burlington Magazine, vol. 139 (October 1997), 698-699,
accessible at: http://www.jstor.org/stable/887546.
5 See: http://www.getty.edu/foundation/initiatives/current/osci/
6 In
addition to viewing other projects by fellow OSCI participants, IMA Labs (http://lab.imamuseum.org/about/), the for-profit arm of the Indianapolis
Museum of Art was engaged to create a basic, open-source toolkit (the OSCI
toolkit [http://www.oscitoolkit.org/]) for museums wishing to create an
online scholarly catalogue. The Toolkit is available free-of-charge.
7 The
Museum System (TMS): http://www.gallerysystems.com/products-and-services/tms/
8 Toky Brading + Design: http://toky.com/
9 Iconclass: http://www.iconclass.org/
10 Design
for Context: http://www.designforcontext.com/
11 Adobe
CQ5: https://docs.adobe.com/docs/en/cq/5-5.html
12 NGA Online Edtions: http://www.nga.gov/content/ngaweb/research/online-editions.html
13 IIP
Moo Image Viewer: http://iipimage.sourceforge.net/documentation/iipmooviewer/
14 NGA.gov: http://www.nga.gov/content/ngaweb.html
15 PURL.org: https://purl.org/docs/index.html
16 As
quoted in the NGA press release on the Wittenborn award http://www.nga.gov/content/ngaweb/press/2015/wittenborn-award.html
17 Paul Jaskot's keynote, "Digital Art History: Old Problems,
New Debates, and Critical Potentials," delivered at the Phillips Collection to
kick off the symposium Art History in Digital Dimensions (University of
Maryland, October 19-21, 2016) (http://dah-dimensions.org/), keenly
underscored this point of exploring social histories through the lens of art
history and vice versa. He also has repeatedly championed the notion that the
process should count toward tenure positions, challenging the long-held belief
that the final publication is the only work product of worth.
18 Miklós Boskovits (1935–2011),
Jason Di Resta, Italian Thirteenth and Fourteenth
Century Paintings, NGA Online Editions, http://purl.org/nga/collection/catalogue/italian-paintings-of-the-thirteenth-and-fourteenth-centuries (accessed October 10, 2016).
19 Nancy
Anderson, Charles Brock, Sarah Cash, Harry Cooper, Ruth Fine, Adam Greenhalgh, Sarah Greenough,
Franklin Kelly, Dorothy Moss, Robert Torchia,
Jennifer Wingate, American Paintings, 1900–1945, NGA Online Editions, http://purl.org/nga/collection/catalogue/american-paintings-1900-1945 (accessed October 10, 2016).