Nora Gardner volumes
CPM
Nora Eola Lee Gardner, from Weakley County in the far
northwestern part of Tennessee.
Her 162 pieces, including several Confederate imprints, were bound sometime after 1869, although some of the music dates as early as 1849.
Mary Hoffschwelle contemplated
Nora Gardner’s experiences in the context of creating and sustaining female
community as a young woman in antebellum Tennessee. Her father, Alfred, was a
wealthy planter who owned at least seventy slaves. In a diary that she compiled
between the ages of twelve and fourteen, Nora closely identified with her
siblings, especially her older sisters. She also records dress shopping in
Nashville with her mother, Mary Ann Stovall Gardner. Nora mentions piano
lessons in her diary only three times (6 and 8 January, 13 February 1859),
placing more emphasis during these years on needlework than other
accomplishments.
Born in 1845 or 1846, Nora attended the Dresden Female
Academy at a young age, went to the Columbia Female Institute until it closed
in 1862, and she can be found in various locations in Tennessee, Kentucky,
Indiana, and Mississippi from then until she married William Frederick Smith, a
lawyer from Crawford, MS, in 1867. SOME FROM 1866 SIGNED NG SMITH? The couple
moved to Crawford in that year, and the 1870 census lists Fred’s worth at $500.[1]
In 1880 the family lived in Evansville, Indiana, and in 1893, at age
forty-eight, the now-widowed Nora married John R. Thomason. She died in 1924 in
Weakley County, Tennessee, where she had been born seventy-nine years earlier.
She was in Nashville before the war and enrolled in the
Dresden Female Academy around 1860. The beginning of 1861 finds her in
Clarksville. By the end of that year, at least, she had matriculated at the
Columbia Female Academy—one of two prestigious girls’ schools in Columbia, TN
at this time. The school closed on 17 February 1862 and became a hospital, but
Nora seems to have remained in town until sometime between January and July
1863, when she was in Evansville, Indiana—far from the ravages of war in
Tennessee. With whom she lodged remains unknown. At some point, she moved down
to Bladen County, Kentucky, where she wrote that A.B. Wade, a friend, gave her
“Babylon is Fallen!” on 29 April 1865. Lee surrendered to Grant on the 9th,
and Johnston to Sherman on the 17th, so this sheet music must be
seen as an allusion to the fall of the Confederacy. Nora must have been
traveling at the time, for she was in Louisville within two days, where M. Walde gave her “Pass under the rod.” The next day she
acquired Ferdinand Beyer’s challenging piano arrangement of Faust, and in June she is still in
Louisville, according to her writing on “The Mountain Zephyr.” I have left her
in Weakley County, where she married Frederick Smith 1867.
Much of Nora’s early music came to her from friends and
family, and on these she felt no need to write down the dates of acquisition. Her
sisters Mollie and Eugenia gave her several pieces earlier, including “E
pluribus unum” (1849, Mrs. E.H. Pendleton) and “Old
Jessy” (1852, Charles Converse). They may have been discarding sheet music they
no longer needed or giving Nora music to take on her journey half-way across
the state.
Nora’s brother, Will, five years her senior, sent her
five pieces while he was in Crawford, Mississippi,
Nora Gardner’s courtship with W. Fred Smith, her first
husband. Crawford was the home of Fred Smith—the young married couple would
move there in the late 1860s—and her brother may have been there spending time
with his future brother-in-law. Even more telling are several pieces sent to
Nora from “Abelard” in Crawford—almost certainly Fred. PPT These pieces were
“When the boys come home” (Charles Carroll Sawyer), “The Alabama” dated “10
Oct./64” (F.W. Rosier), and “Florence—Loved and lost” (John H. McNaughton).
Confirming the association with the legendary lovers Heloise and Abelard,
Nora’s copy of the “The vacant chair” has the inscription “Eloise” and
“Enterprise, Miss., Oct. 25th 1864.” (Enterprise is due west of
Jackson and just over ninety miles south of Crawford.)
Vol. 144
|
CPM |
Title |
Composer |
Date |
Notes |
|
6155 |
Jerdons Reels |
|
1860 |
“Miss Nora Gardner, Clarksville,
Tennessee, January 23rd, 1861.” CD Benson, Nashville. Performed by
Annie Hays. The Cadets of the Western Military Institute, Nashville,
dedicated |
|
6156 |
Molly Gardner. Jerdons
Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6157 |
Lizzie Nichol. Jerdons
Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6158 |
Annie Hayse
[sic] (Annie Hayes). Jerdons Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6159 |
Gurty Bosley. Jerdons
Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6160 |
Zuleka Bugg. Jerdons
Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6161 |
Fanny Parke, as performed by Miss
Annie Hayes. Jerdons Reels |
|
1860 |
CD Benson |
|
6162 |
Mobile. Jerdons
Reels |
|
1860 |
CD Benson, Nashville. Performed by
Annie Hays |
|
6163 |
Farewell but when
ever you welcome the hour |
Joseph Benedict, arr. |
1852 |
“Nora Lee Gardner, Nashville, Tenn.,
Aug. 1860” |
|
6164 |
How sweet are the roses |
Alice Hawthorne |
1853 |
|
|
6165 |
Southern constellation – Bonnie Blue
Flag |
Robert F. Carlin, lyr |
1863 |
Macon. Hoogerwerf
3848, Harwell p. 144 |
|
6166 |
Robin red-breast |
J.M. Hubbard |
1859 |
“Miss Nora Gardner—Presented by
Maggie Mitchell Nov. 19 ‘60” |
* |
6167 |
He has gone, and I have sent him |
Madame C. Rive |
1863 |
Cincinnati and others |
|
6168 |
Kentucky, once so proud and free |
Hugo de la Fourche |
1863 |
Schreiner (Macon, Mobile,
Montgomery). Lyrics by sweet sixteen Miss Cordie Elliott. Hoogerwerf
3592 |
|
6169 |
Southern boys |
Herman Schreiner |
1861 |
McClure and others. Hoogerwerf 3827; Harwell p. 144 |
|
6170 |
Golden shower |
C. Van Tal |
|
Cleveland: Brainard |
|
6171 |
The constitution as it is, the union
as it was |
Will S. Hayes |
1863 |
“Miss N. Gardner, from a ‘Union
friend’ of Tn. Richard” Faulds. Dedicated to The United Democracy |
|
6172 |
Home sweet home |
T. Valentine, arr. |
[1861?] |
Nora Gardner, Columbia, Tenn., Jan. 1st,
1862” |
* |
6173 |
List while I sing to thee |
Stephen C. Massett;
William Dressler, arr. |
1852 |
GUITAR |
* |
6174 |
Haunted spring |
Leopold Meignen |
[1844-55] |
Fiot. GUITAR |
|
6175 |
Marseillais [sic] hymn French national song |
Joseph Rouget
de l’isle |
[1859?] |
“Presented to Nora by Dr. J. Frank
Bell, November [5?], 185[9?]” |
|
6176 |
Genl. Beauregard’s Grand march |
Mrs. V.G. Cowdin |
1861 |
Hoogerwerk 3478, Harwell p. 116 |
|
6177 |
Within a mile of Edinburg [sic] town |
Jenny Lind |
1859 |
“Nora Gardner, Columbia, Tenn., Jan.
30th, 1863” |
|
6178 |
Rose bud polka |
Henry Philby |
1854 |
“Nora L. Gardner, Female College,
Columbia, Tenn., Dec. 12th, 1861” |
* |
6179 |
Rail road gallop |
J. Rud.
Adam |
[?1861] |
“To Nora from Laura, Jan. 1862 [or
18/62].” Dedicated to Madame Eliza N. Church |
|
6180 |
Farewell to Yankee Doodle |
|
|
Newspaper clipping with new words to
Yankee Doodle glued to blank page |
|
6181 |
I kiss’d
her in a dream |
M.F. Bigney |
1859 |
Werlein |
|
6182 |
Yes, this night we part for ever |
Charles Hess |
1862 |
“Miss Nora L. Gardner from an Acquaintane. Evansville, Ind., 4th July 1863” |
|
6183 |
Dixie. Southrons,
hear your country call you! |
Albert Captain Pike |
|
Published by the Daily Appeal |
|
6184 |
Thou art so near and yet so far: Du bist mir nah’ und doch so fern |
A. Reichardt |
[1861] |
“Nora Lee Gardner, Columbia, Tenn, Feb. 12th, 1862” McClure et al. Hoogerwerf 3897, Harwell p. 149 |
|
6185 |
The Burman Lover: Oh
Come With Me in my Little Canoe |
Louis Tripp, arr. |
1851 |
“Nora L. Gardner Dresden Tenn.”
Faulds |
|
6186 |
Downfall of Paris |
|
[1851?] |
|
|
6187 |
Turkish gallop |
James Bellak |
1854 |
Jewels for the piano |
|
6188 |
Unknown |
|
? |
?MS unrelated to Turkish Galop |
|
6189 |
I love but one, I love but thee |
F.R. Prohl |
1859 |
“compliments of JRM…” |
|
6190 |
Come love with me. Music of Morris
Brothers Pell and Huntley’s Minstrels |
Lon Morris |
1858 |
Dedicated to Mrs. S.C. Hall |
|
6191 |
Willie’s welcome home: Answer to
Willie we have missed you |
A. Von Smit; arr. For pf by Mme Ablamowicz |
1856 |
“Nola Eola
Gardner, Dresden Female Academy, Dec. 22nd, 186[?]” |
|
6192 |
Thou art gone from my gaze |
G. Linley |
|
|
|
6193 |
Dearest thee, I’ll love you more! |
|
[1850-51] |
“Nora Gardner, from Eliza, Nov. 15th,
1861” |
|
6194 |
Dixie land |
|
1861 |
“Newnan, Georgia, May 21, 1861”
pro-Confederate parody of usual lyrics from newspaper clipping |
|
6195 |
Springblossoms polka |
J. Bellak |
1856 |
|
|
6196 |
College Hill March |
[J. Lamb] |
|
Holograph. Composer’s name in pencil
in upper right corner, difficult to read. [Is it wrong and supposed to be
Adam?] Treble part of duet, bass in 006197-SMVOL |
|
6197 |
College Hill March |
J.R. Adam |
|
Bass part of previous |
|
6198 |
There’s a sigh in the heard |
Anne Fricker |
1853 |
Ditson |
|
6199 |
China Rose Schottisch,
Roses without Thornes, No. 3 |
Jules Becht |
1859 |
“Nora Gardner, Columbia, Tenn., Feb.
12th 1862” and on opposite page: “If Miss Nora ever peruses these line let her remember those beautiful soul inspiring
songs with which she favored me tonight and accept my sincerest thanks which
in my fervor I was so negligent as not to offer. Yours truly, ---, March 15th
1865.” Peters Cincinnati |
|
6200 |
Union march |
Hans Krummacher |
1860 |
|
|
6201 |
Sultan polka |
J. Bellak,
arr. |
1857 |
|
|
6202 |
Pussy’s polka |
Kittie |
1860 |
“Nora E. Gardner, Columbia Female
College, Columbia, Tenn., Nov. 1861” |
|
6203 |
Crystal Schottisch |
William Byerly |
1853 |
“Nora E. Gardner, Columbia Female
College, Columbia, Tenn.” |
|
6204 |
Old dog tray |
S. C Foster |
1853 |
|
|
6205 |
Darling soon return |
Herbert Mortimer |
1866 |
Dedicated to Miss Lizzie Winchester.
Balmer & Webb St. Louis |
??? |
6205 |
E pluribus unum.
An American National Song. |
Mrs. E.H. Pendleton |
1849 |
“Nora Gardner from her Sis Marmi” ? Mollie? |
|
6206 |
Oh, dear, what can the matter be |
|
[1848-55] |
Printed with following |
|
6207 |
Over the water to Charlie |
|
[1848-55] |
Printed with former |
|
6208 |
Old Jessy |
Charles C. Converse |
1852 |
“Presented to Nora by her Sis Mollie” |
|
6209 |
Virginia Reels No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6210 |
Old Virginia. Virginia Reels No. 2 |
George P. Knauff,
arr. |
[1851-52?] |
|
|
6211 |
Richmond hill. Virginia Reels, No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6212 |
Villalave. Virginia Reels, No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6213 |
Petersburg Ladies. Virginia Reels,
No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6214 |
The hero. Virginia Reels, No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6215 |
Peter Francisco |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6216 |
22nd of February. Virginia
Reels, No. 2 |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6217 |
The Island |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6218 |
Richmond blues |
George P. Knauff |
[1851-52?] |
Benteen. |
|
6219 |
Fishers hornpipe |
|
[1848-55] |
“Nora Eola
Gardner, Dresden Female Academy” printed with the following |
|
6220 |
Minuet |
|
[1848-55] |
“Nora Eola
Gardner, Dresden Female Academy” printed with the previous |
|
6221 |
No. 1, Converse’s Folio Creole Waltz |
Charles Converse |
1854 |
“Nora Gardner, Columbia Female
College” |
|
6222 |
Banjo Polka |
Joseph Benedict, arr |
1851 |
“Nora L. Gardner, Nashville, Tenn, August/60” Daulds |
|
6223 |
Alboni Schottisch |
William Dressler |
1852 |
“To Nora from Sis Eugenia” |
|
6224 |
|
|
|
|
|
6225 |
I am thine, and thine only! |
F.W. Rauth |
1859, 1856 |
The Knickerbocker. Cincinnati |
|
6226 |
Rocking chair polka |
James Bellak |
1854 |
“Nora L. Gardner, Columbia, Tenn.,
Dec. 8th/60” |
|
6227 |
‘tis but an hour since first we met |
William Cumming, arr. |
1850 |
“Presented to Nora by Frank J. Bell,
November, 1869” |
|
6228 |
Here’s your mule gallop! |
Charles Stein |
1861 |
“Nora Lee Gardner, Dresden, Tenn., Dollie Er---, Columbia, Tenn.,
Jan. 6th, 1863” Hoogerwerf 3529; Harwell
p. 120 |
|
6229 |
The Ingle Side |
T.V. Wiesenthal |
[1859-61?] |
Faulds |
|
6230 |
Onward march |
Charles Grobe,
arr. |
1860 |
"Nora L. Gardner, Columbia, Tenn, Jan. 1st, 1862" |
|
6231 |
Cameo Schottisch |
Charles Grobe |
1860 |
“Nora Gardner…Billie D.” |
|
6232 |
Minstrel Boy: I swear sweet girl! I
love but thee |
Gibson |
1859 |
“Nora Gardner, College Hill,
Columbia, Tenn, Dec. 22nd 1861” |
|
6233 |
Rock beside the sea |
C.C. Converse |
1857 |
|
|
6234 |
Hob Nob: The Campbells are Comin |
|
[1848-55] |
“Nora L. Gardner, D[resden] F[emale] Academy”
printed with following |
|
6235 |
Morning star |
|
[1848-55] |
“Nora L. Gardner, D[resden] F[emale] Academy” printed
with previous |
|
6236 |
Call me pet names |
William Runge |
1852 |
“Nora Gardner June 13 186[?]” |
* |
6237 |
Japanese Polka |
Jeddo |
[1856-1862] |
“Presented to Nora by her dear []
Laura Belle the day school broke up, Feb. 17th, 1862” |
|
6238 |
By-Gone Hours |
Mrs. Price Blackwood |
[1851-54] |
“Nora Lee Gardner, Columbia Fem.
Col., Columbia, Tenn. Dec. 14th [?] 1861” Brainard in KY |
|
6239 |
Bonny Eloise The Belle of Mohawk Vale |
J.R. Thomas |
1858 |
“Nora Gardner, College Hill, Tenn” |
|
6240 |
Lorena |
J.P. Webster |
1857 |
“Nora Lee Gardner, from M.L. Johnson”
Chicago |
|
6241 |
|
|
|
|
* |
6242 |
I have learn’d
to ove thee fondly |
Caroline Rive |
1863 |
“Miss Nora L. Gardner from ‘Hennie.’
Evansville, Ind., 4h July 1863” |
|
6243 |
Onward march |
Charles Grobe,
arr. |
1860 |
“Nora L. Gardner, Columbia, Tenn.,
Jan. 1st, 1862” |
|
6244 |
It is the chime |
Benjamin S. Hart |
1858 |
“Nora L. Gardner, College Hill,
Tenn.” |
|
6245 |
The child of the Regiment; Jenny Lind
music (“Ask me not why my heart with fond emotion”/ “Quando
il destino in mezzo a strage ria”) |
Donizetti; Charles Jeffereys, arr. |
1860 |
“Nora Gardner, presented by her
Teacher, Prof. J.R. Adam” |
|
6246 |
Gen’l Beauregard’s grand polka militaire |
Ascher |
1861 |
Hoogerwerf 3478, Harwell p. 116. |
* |
6247 |
Maiden’s prayer |
Badarzewska |
[1860?] |
“Presented to Nora L. Gardner by Eliza
Gooding. ‘My Sorority.’ Columbia, Sep. 1, 1861” |
|
6248 |
Thou hast learned to love another |
Charles Slade |
1849 |
“Nora L. Gardner, Columbia Female
College, Tenn” |
Vol. 145
|
CPM |
Title |
Composer |
Date |
Notes |
|
6249 |
Still must I linger |
J.F.O. Smith |
1866 |
St. Louis |
|
6250 |
Mary Aileen |
J.H. McNaughton |
1858 |
|
|
6251 |
Sitting by the sea |
A. Willharitz,
arr. |
1866 |
St. Louis |
|
6252 |
Rain upon the roof |
Ch. C. Converse |
1856 |
|
|
6253 |
Never more to part |
W.D.C. Botefuhr,
arr. |
1866 |
|
|
6254 |
Her bright smile haunts me still |
W.T. Wrighton |
|
|
* |
6255 |
I have no mother, now I’m weeping |
N.L.G.S. [Nora Lee Gardner] |
1871 |
Lyrics only. Dated Sept. 2nd,
1871. Could be a late addition. |
|
6256 |
Seperation [sic] |
J.G. Maeder |
1850 |
|
|
6257 |
Gipsey’s wild chaunt. Series: Lo Zingaro |
Alexander Lee |
[1848-55] |
|
|
6258 |
Mocking-bird quickstep |
Augustus Schaeffer, arr. |
1862 |
Phildadelphia |
|
6259 |
No more cold feet gallop |
A. Mahler |
1865 |
St. Louis |
|
6260 |
Southern tournament mazurka |
Louis Lydbecker |
1866 |
St. Louis |
|
6261 |
Festival March. Militair
Festklange |
Charles Kern, arr. |
|
Performed by Capt. Frank Boehm’s Band |
|
6262 |
Love’s delusion waltzes |
Charles A. Pollock |
1865 |
“Nora Lee Gardner, Dresden, Tenn.” |
|
6263 |
Whisperings of love |
C. Kinkel |
1864 |
waltz? |
|
6264 |
We parted by the river side |
Will S. Hays |
1866 |
St. Louis |
|
6265 |
I am dying. Egypt, dying. Anthony and
Cleopatra |
W.I. Maynard |
1866 |
“Miss Nora Gardner, Dresden, Tenn.” |
|
6266 |
Babylon is Fallen! Sequel to Kingdom
Coming |
C. Henry Work |
1863 |
“Miss Nora Lee Gardner, from a
friend. A.B. Wade [?] Ballard County, April 29th 1865.” First
line: Don’t you see de black cloud Risin’ ober yonder. |
|
6267 |
Faust. Grand valse
de concert |
Carl Sidus |
1864 |
“Miss Nora Lee Gardner, from a
friend. A.B. W.” |
|
6268 |
Wearing o’ the green |
W.D. Raphaelson,
arr. |
1865 |
|
|
6269 |
The Alabama |
F.W. Rosier |
1864 |
“To Miss Nora Lee from Abelard.
Crawfordville, Miss. 10th Oct/64” Hoogerwerf
3294 |
|
6270 |
The celebrated Empress Henrietta’s
waltz |
Henri Herz |
[1851-54] |
|
|
6271 |
Florence – Loved and lost |
J.H. McNaughton |
1864 |
“The Nora from Abelard” |
|
6272 |
|
|
|
|
|
6273 |
Mabel waltz |
Irving, arr. |
1869 |
Hitchcock’s Half Dime Series of Music
for the Million, No. 59 |
|
6274 |
Dear mother, I’ve come home to die |
Henry Tucker |
1863 |
“Nora Lee Gardner from her friend
A.B.W.” |
|
6275 |
Up with the flag |
Dr./Mrs. William B. Harrell |
1863 |
See diss. Hoogerwerf
3910, Harwell p. 151 |
|
6276 |
Twin Flowers polka |
William Herz |
1866 |
St. Louis |
|
6277 |
Maiden’s blush |
W.D.C. Botefuhr,
arr. |
1866 |
“Miss Nora Gardner, Dresden, Tenn.”
Prof. A. Mahler’s Orchestra. Schottische? |
|
6278 |
We know that we were rebels |
Charlie L. Ward |
1865 |
“Miss Nora, from ‘A Reb’” Louisville |
* |
6279 |
Now that you love me! |
E.O. Eaton |
1864 |
“To Sister Nora from her Brother
Will. Crawford, Miss., Nov. 14/64” Hoogerwerf 3694 |
* |
6280 |
Empire state grand march |
Hermann Schreiner |
1864 |
“To my Sister Nora from her Brother
Will. Crawford, Miss., Nov. 14/64” Hoogerwerf 3438 |
|
6281 |
How are you conscript? |
Frank B. Walters |
1863 |
“Presented to Nora Lee by Durward” Dedicated to “All disconsolate conscripts” |
|
6282 |
When this cruel war is over |
Henry Tucker |
1863 |
“Presented to Miss Nora by Q.V.” |
|
6283 |
Drummer boy of Shiloh |
Will S. Hays |
1863 |
“Prst. To
Miss Gardner by her Friend. Nora L. Gardner, Dresden, Tennessee, Sept. 12,
1863” |
|
6284 |
I cannot forget thee |
Albin Visher |
1864 |
Dedicated to Madame Ruhl, Blackmar.
Lots |
|
6285 |
Day and night
I thought of thee |
Fred. Shrivall |
[1860?] |
Cincinnati and others |
|
6286 |
Virginia rose bud |
F.H. Kavanaugh |
[1849?] |
“Presented to Nora Lee by Durward. Nora Lee Gardner, Oakland, Tennessee” |
|
6287 |
Little Maud |
J.P. Webster |
1859 |
“Miss Nora Lee Gardner from her
friend, A.B.W. Sunny Side, Ky” |
|
6288 |
Take me home |
Hermann Schreiner |
1864 |
“To Sister Nora from her Bro. Will,
Crawford, Miss., Nov. 14/64” Hoogerwerf 3878,
Harwell p. 148. Lots publishers |
|
6289 |
When the boys come home |
Charles Carroll Sawyer |
[1864-65] |
“To Miss Nora Lee from Abelard” |
|
6290 |
Vacant chair |
Henry S. Washburn |
[1864] |
On back: “Eloise” and “Enterprise
Miss., Oct. 25th 1864” |
|
6291 |
Faust |
Ferd. Beyer, arr. |
[1859-65] |
“May 2nd 1865. Nora Lee
Gardner, from …” |
|
6292 |
I am waiting |
J.A. Barney |
1866 |
|
|
6293 |
Oh! I vants
to go home” Maximillian’s Lament |
T.M. Brown |
1865 |
St. Louis |
* |
6294 |
Love-spell mazurka |
Hermann Schreiner |
1864 |
“To Sister Nora from her Bro. Will,
Crawford, Miss., Nov. 14/64” Hoogerwerf 3622 |
* |
6295 |
Soldier’s suit of grey! |
E. Clarke Ilsley |
1864 |
“To Sister Nora from her Bro. Will,
Crawford, Miss., Nov. 14/64” Hoogerwerf 3816 |
|
6296 |
When swallows homeward fly: Wenn die Schwalben heimwahrts Zieh’n |
Franz Abt |
[1864-65] |
St. Louis |
|
6297 |
Rippling streamlet waltz |
S.F. Weir |
1866 |
St. Louis |
|
6298 |
Mountain zephyr |
J.A. Fowler |
1854 |
“Nora Lee Gardner, Louisville, Ky.,
June 1865.” Dedicated to Miss Anna Beach |
|
6299 |
Beautiful Venice |
J.P. Knight |
[1850-51] |
Faulds. |
|
6300 |
Evening star waltz |
Lanner; Beyer, arr. |
[1856-60] |
|
|
6301 |
I have no sister now |
M.F.H. Smith |
[1864-65] |
One page from Waverly Magazine, |
|
6302 |
‘Twas but a dream |
D.J. Lyons |
1851 |
|
|
6303 |
Pass under the rod |
Mrs. Sue Ingersoll Scott |
1862 |
“Nora Lee Gardner, from M. Walde, May 1st, 1865” |
|
6304 |
The evening star waltz |
Lanner; Ferd.
Beyer, arr. |
[1856-60] |
|
|
6305 |
Darling soon return |
Herbert Mortimer |
1866 |
Miss Lizzie Winchester |
|
6306 |
Love’s lamentation |
E.G.B. Holder |
1866 |
“Mrs. W. Fred Smith, Columbus, Miss.,
July 27, 1867” |
|
6307 |
Farewell song of Enoch Arden |
Sep. Winner |
1865 |
|
|
6308 |
O ye tears! O mes
pleurs! |
Franz Abt;
Eng. Lyr. Dr. MacKay |
1866 |
“Nora Gardner Smith, Gilmer Hotel,
Columbus, Miss., July 27, 1867.” NOLA |
|
6309 |
Les cloches de monastere |
Lefebure Wely |
1864 |
Toledo |
|
6310 |
Only for thee |
George Linley |
[1865-66?] |
St. Louis |
|
6311 |
Come home Father! ‘Tis
the Song of Little Mary/Standing at the bar-room door etc. |
C. Henry Work |
1864 |
Chicago Root & Cady |
|
6312 |
Thou art coming with the spring, love |
James M. North |
1866 |
St. Louis |
|
6313 |
Limerick is beautiful |
D. Angelo, arr. |
1865 |
NY |
[1] Her last child, Alfred Gardner Smith was born
in 1872. Data on marriages, net worth, ??? taken from US Census in the years
indicated.